Atik^u

S’agripper aux fleurs : collectif de femmes innues

Three Innu women (Louise Canapé, Louve Mathieu and Shan dak/Jeanne’Arc Vollant), natives of the North Shore (Quebec), sign this collection imbued with a typically Aboriginal flavor. Their haikus reveal the naked truth of a people of the great outdoors confined to the “reserve”, a reserve which perhaps has the merit of protecting the identity, but which nevertheless cuts wings.

Sanaaq : an Inuit novel

This novel by Mitiarjuk Nappaaluk (transliterated and translated from Inuktitut to English) recounts the fortunes and misfortunes of Sanaaq before and after the arrival of the first whites in Inuit country. Mitiarjuk allows the reader to discover, as no Westerner anthropologist has yet been able to do it, the life and psychology of the Inuit confronted with extreme nature, the need for sharing and the invasion of their territory by white people and their civilization.

Stories in a new skin: approaches to Inuit literature

Stories in a new skin encourages decolonization through literature. Author Keavy Martin discusses Inuit literary traditions through various forms and genres as a way of educating a diverse audience about Inuit texts, cultures, and traditions. (Keavy Martin, Winnipeg, University of Winnipeg Press, 2012, 180 p.)

Uashtessiu : lumière d’automne

Jean Désy, Rita Mestokosho

In this book, two nomads, poets, healers, one Innu, the other from Quebec, share a love for the same territory: the North Shore and, beyond, the North. Rita Mestokosho is the first Innu poet to have published a collection in Quebec, while Jean Désy is a traveling poet who sails between the South and the North and the worlds of autochthony. Two sensibilities intersect in the space of this poetic exchange which will have lasted four seasons.

Uiesh : Quelque part

Joséphine Bacon

This bilingual French-Innu aimum collection of poetry chronicles the life of a city-dweller whose soul and heart have remained in a lost land. Being a tribute to the territory of her ancestors, this book won Joséphine Bacon the Prix des libraires 2019.